The Boredom Burnout
Photographer: Bartosz Podborowski
1. What significant life experiences or events have influenced and shaped your artistic vision?
For over 18 years, I've been working in advertising agencies, starting as a Graphic Designer and now as a Senior Art Director. This commercial background resulted in a strong preference for a style that is direct, expressive, yet quite clean and minimalist. The goal is to grab attention quickly and effectively. I subconsciously apply this to my photography, though I try to occasionally push past my comfort zone so as not to burn out.
2. Collaboration often sparks fresh creativity. Can you share an example of a collaboration that led to an unexpected and exciting artistic outcome?
It's hard for me to judge if my work is "exciting"—I leave that to others. Besides, I don't really see myself as an artist; I'm more of a craftsman or a skilled engineer in using the available tools. But getting back to the point: every collaboration generates something interesting and unforeseen. Sometimes it’s due to limitations, and sometimes just the atmosphere on set. Very often, we spontaneously create something that goes beyond the brief and that everyone is happy with. Each time, something new emerges that excites me in some way.
3. Walk us through a specific project that challenged your creative boundaries. How did you approach it, and what did you learn from the experience?
That’s a tough one, because every assignment has its challenges, but Elena's session in Corfu is something I often look back on. I had very limited gear due to luggage restrictions—I was shooting with a beginner's camera and a budget 50mm f/1.8 lens. The key was scouting the locations beforehand and setting at least a minimal plan. The time of day was also crucial for catching the light, and since I’m used to controlled studio setups, I felt quite out of my element relying only on the sun. I am very happy with the final result, which is rare for me because I always see something that could be improved. That session was important for me, and I have good memories associated with it.
4. In the ever-evolving art world, what do you believe sets your work apart and makes it unique or groundbreaking?
As I mentioned, I have a commercial background, so commercial aesthetics are close to me. I like contrasts and expressive elements that catch the eye. I'm also quite methodical—I fine-tune the details both on set and in post-production, which I guess I’m known for (though I’m not sure if that’s a virtue or a flaw!). With models, I value interesting facial expressions and non-standard beauty. Because everywhere you look there are so many correct, generic images, and I’m constantly looking for something that breaks slightly beyond those imposed patterns.
5. As you reflect on your journey, are there any specific goals or milestones you've set for your artistic career in the coming years?
I don't have a specific set goal. The creative process itself is both the journey and the destination for me. As long as I get satisfaction and the drive to keep going, and these projects I do for fun help me attract clients who want to pay for my photos - that's already a success. I think one just needs to keep expanding horizons and working with different people, because they enrich me and my work. The best results come from combining different people and their skills. Hopefully, this process continues and yields more valuable projects that build my experience.
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Photographer: Bartosz Podborowski
Model: Karolina Dębowska
Wardrobe Stylist: Zuzanna Mercedes Stankiewicz